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Jennifer Keeler-Milne
In Nature's Realm
other work
NSW desert plants
Feathers
Autumn & Spring
Sketchbooks
Mount Wilson and other works
Connecting with nature
Drawn to a cabinet of curiosities
Bugs
Urchins
Sea sponge taxonomy
Corals
Nests
text
In Nature's Realm
Jennifer Keeler-Milne and the Mechanism of Focus by Terence Maloon
Close Focus by Jennifer Keeler-Milne
Bank of America catalogue essay by Jane Watters
Jennifer Keeler-Milne by Artist Profile
Jennifer Keeler-Milne returns to painting in Autumn & Spring by Briony Downes
An artist’s salute to the fallen by Steve Meacham
Art and science - a matter of perspective by Michelle Waycott
The art that made me by Jennifer Keeler-Milne
In lockdown, she collected autumn leaves and turned them into art
Land, Sea, Sky by Anne Ryan
Not The Way Home by Owen Craven
Figures in the Landscape by James Compton
Lightness Grounded by Courtney Kidd
Wattle: Australian contemporary art by Kate Bryan
Drawn to a cabinet of curiosities by Artist's Profile
Muse: Old and New by Anne Ryan
Shadowline by Louise Martin-Chew
Talking with Painters, Maria Stoljar
autumn reflection
bio
contact
Jennifer Keeler-Milne
In Nature's Realm
other work
NSW desert plants
Feathers
Autumn & Spring
Sketchbooks
Mount Wilson and other works
Connecting with nature
Drawn to a cabinet of curiosities
Bugs
Urchins
Sea sponge taxonomy
Corals
Nests
text
In Nature's Realm
Jennifer Keeler-Milne and the Mechanism of Focus by Terence Maloon
Close Focus by Jennifer Keeler-Milne
Bank of America catalogue essay by Jane Watters
Jennifer Keeler-Milne by Artist Profile
Jennifer Keeler-Milne returns to painting in Autumn & Spring by Briony Downes
An artist’s salute to the fallen by Steve Meacham
Art and science - a matter of perspective by Michelle Waycott
The art that made me by Jennifer Keeler-Milne
In lockdown, she collected autumn leaves and turned them into art
Land, Sea, Sky by Anne Ryan
Not The Way Home by Owen Craven
Figures in the Landscape by James Compton
Lightness Grounded by Courtney Kidd
Wattle: Australian contemporary art by Kate Bryan
Drawn to a cabinet of curiosities by Artist's Profile
Muse: Old and New by Anne Ryan
Shadowline by Louise Martin-Chew
Talking with Painters, Maria Stoljar
autumn reflection
bio
contact
In Nature's Realm
Folder: other work
Back
NSW desert plants
Feathers
Autumn & Spring
Sketchbooks
Mount Wilson and other works
Connecting with nature
Drawn to a cabinet of curiosities
Bugs
Urchins
Sea sponge taxonomy
Corals
Nests
Folder: text
Back
In Nature's Realm
Jennifer Keeler-Milne and the Mechanism of Focus by Terence Maloon
Close Focus by Jennifer Keeler-Milne
Bank of America catalogue essay by Jane Watters
Jennifer Keeler-Milne by Artist Profile
Jennifer Keeler-Milne returns to painting in Autumn & Spring by Briony Downes
An artist’s salute to the fallen by Steve Meacham
Art and science - a matter of perspective by Michelle Waycott
The art that made me by Jennifer Keeler-Milne
In lockdown, she collected autumn leaves and turned them into art
Land, Sea, Sky by Anne Ryan
Not The Way Home by Owen Craven
Figures in the Landscape by James Compton
Lightness Grounded by Courtney Kidd
Wattle: Australian contemporary art by Kate Bryan
Drawn to a cabinet of curiosities by Artist's Profile
Muse: Old and New by Anne Ryan
Shadowline by Louise Martin-Chew
Talking with Painters, Maria Stoljar
autumn reflection
bio
contact
Shibuya lights, 2011 1460x2630 charcoal on paper (Copy) View fullsize
Lumiere, 2010 charcoal on paper 114x238cm (Copy) View fullsize
Journey on, 2006 charcoal on paper 100x280cm (Copy) View fullsize
State of flowering, 2004 charcoal on paper 100 x 280cm (Copy) View fullsize
Surrender II, 2003 charcoal on paper 100x250cm (Copy) View fullsize
Fearfully and wonderfully made, 2001 (Copy) View fullsize
Visibility/Invisibility, 2000 72.5x260cm charcoal on paper (Copy) View fullsize
Clouds of Fermentation - study, 1999 (Copy) View fullsize
Shibuya lights, 2011 1460x2630 charcoal on paper (Copy)
Lumiere, 2010 charcoal on paper 114x238cm (Copy)
Journey on, 2006 charcoal on paper 100x280cm (Copy)
State of flowering, 2004 charcoal on paper 100 x 280cm (Copy)
Surrender II, 2003 charcoal on paper 100x250cm (Copy)
Fearfully and wonderfully made, 2001 (Copy)
Visibility/Invisibility, 2000 72.5x260cm charcoal on paper (Copy)
Clouds of Fermentation - study, 1999 (Copy)

contact